Odd and Even set the frequency of the left and right LFOs, respectively. You’ll probably want to start your experimentation with the center controls labeled Odd, Even, and Door. However, Igor has obfuscated them in the UI for a reason, which is to encourage serendipitous discovery. Fear not, the plugin comes with a readme that explains what each of these does. But you might reasonably wonder what the heck it actually does, along with the equally mystifying Weep and Sorrow parameters. Sure, you gotta love a plugin with a Regret knob (more plugins should have one, IMO). Let’s take a look at the somewhat mysterious UI: And if you’re the type who embraces the dark, and the weirder the better, you’re going to love this plugin. But even the blandest oatmeal can benefit from a dash of cinnamon, and Darvaza can add some spice to the most mellifluous sonata. I have to admit that I, being one who’s generally drawn to sweet naturalistic sounds, seldom reach for audio manglers. You’d expect nothing less from an effect that offers a Sorrow parameter. It’s got a dark side, hence the allusion to the other Darvaza, the Door to Hell. Fortunately, Darvaza is more than just an amplitude modulator. I’ve had the most fun with the latter mode, automating the left and right LFOs independently to lend some interesting rhythmic effects.īut the world hardly needs another tremolo plugin. It’s got two tempo-synced LFOs, whose respective time bases can either be linked or separated. Like its namesake phenomenon, Darvaza the audio effect has more going on under the hood than you might expect.ĭarvaza is basically a tremolo effect. Darvaza is also the name chosen by developer Igor Zinken for his unique plugin. It’s a 230 foot wide hole in the ground that’s been on fire for 41 years, fueled by natural gas that was inadvertently released when a cave was punctured by an exploratory oil well. Darvaza is a strange place in Turkmenistan, often referred to as the Door to Hell.
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